Unquestionably a harbinger of the times,
A Cid Symphony -- a folk-and-ethnic music collective that incorporated instruments as wide-ranging as dulcimer, hand-held brass, and Hindustani ankle bells into their extended Middle Eastern-cum-country and folk music drones -- was instigated and helmed by
Dustin Mark Miller.
Miller, was a part of the mid-'60s Free Speech Movement at UC Berkeley, spending his time selling protest records to raise money for the movement. The musical passion stuck, so in 1966 he enlisted old pal and neighbor
Charles Ewing, whom he had known since kindergarten, and
Ernie Fischbach to start a folk/ethnic flower-child band aligned with the San Francisco Diggers.
Ewing was an avid flamenco guitar aficionado, and he had met
Fischbach while the two were in graduate school together at Cal State Long Beach. The two shared a passion for music, and
Ewing soon discovered
Fischbach could play any instrument with strings, as well as drums and harmonica. The trio converged in Los Angeles and
A Cid (originally Acid) Symphony was born.
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