As much a collective of musicians as a band,
Sebadoh was the quintessential lo-fi band of the '90s. Formed by singer/songwriter
Lou Barlow while he was the bassist for
Dinosaur Jr. in the late '80s,
Sebadoh's music was a virtual catalog of '80s alternative rock and '90s indie rock, featuring everything from jangle pop to noise rock experimentalism. Upon being kicked out of
Dinosaur in 1989,
Barlow turned his attention toward
Sebadoh, a home-recording project that he and drummer/songwriter
Eric Gaffney began in 1987.
Sebadoh soon developed into a backing band for both
Barlow and
Gaffney, as each submitted home-recorded tapes for release and toured behind the albums. Eventually adding drummer/songwriter
Jason Loewenstein, the trio became an indie rock sensation, as well-known for the size and inconsistency of its output as the music itself. Often,
Sebadoh sounded schizophrenic, flipping between
Barlow's sensitive folk-rock and
Gaffney's noise experiments without warning. This very diversity became the band's calling card, and by 1992 the band had earned a devoted following. As the media focused on
Barlow -- who also released a number of solo records under the name
Sentridoh --
Gaffney grew frustrated.
Gaffney left in 1994, and with new drummer
Bob Fay,
Sebadoh produced its most accessible albums --
Bakesale and
Harmacy -- which expanded its cult somewhat. Despite the group's flirtation with (relatively) polished production and the fluke success of
Barlow's side project
Folk Implosion,
Sebadoh remained a cult band and became one the largest touchstones of '90s indie rock.
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